Mollie Makes Magazine

Nice coverage for Mollie Makes of Shevie Moyles work down in Cornwall...
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17 04 13
Wow, its all gone mad now! off to Cornwall for a hotel shoot tomorrow, back to Bath for a hotel shoot on tuesday, then to East Sussex for two days shoots for magazines, then back to Bristol to prepare for four days in Italy... see you on the other side...20 03 13
Ongoing work with Chateau Impney in Worcestershire see here... and many other jobs too.. Homes and Gardens shoot last week in Devon, and some rather smart new architectural clients based in London this coming week... watch this space!17 01 13
Well, the year's turned and I'm mooching around in the office trying to reorganise/springclean and generally do nothing! It was a good year (2012) and you can read a review here... At the moment its snowing here in Bristol, so any excuse to discuss 'not snowing' weather would be gratefully received!15 7 12
Well its 'here we go again' time!... off to Cornwall again shooting for 25BH magazine, then straight back and up the M4 to shoot for a day with Esti Barnes of 'Top Floor Rugs' in London on wednesday. Then another shoot for Route One in the next couple of weeks, and a final shoot for the wonderful National Trust at Powis Castle Gardens ... Blimey...Twitter Feed
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Tag Archives: interior photography
Photography of Flooring Tips
Shooting flooring or carpets is a tricky business, because the subject matter is in such a weird position when you think about it! I spent a lot of last summer shooting images for Mandarin Stone, ably assisted by brilliant stylist Louisa (who happens to also be the boss!)… Its quite hard to make the floor look ‘natural’ when shooting from above, and it would be easy to end up with a weird looking picture , full of floor, with a bit of ‘interest’ around the edges. So, we use shift lenses, which enable a normal shooting position (so reducing the weird angles), but a full view of the beauty of the tiling/paving or carpets. Its important to style the ‘other bits’ (cupboards, tables etc), but not too much that it takes your eye off the main event. Louisa is obviously very good at this (she’s had plenty of experience!), and I think our final results looked rather good!
Beautiful Kitchens Photography
Just completed a kitchen shoot for a well known kitchens magazine… Photography is made so much easier when the light is right, and we took full advantage of the sun at this shoot. The results are obvious to see, but actually balancing the light, indoor and out, is the tricky bit. It’s actually ‘easier’, I find, to shoot interiors overcast conditions, but the results with a sunny day are much more ‘zingy’ and fresh. It helps that the owner has great style, and it helps that the kitchen designer, and maker, Bill Woodroffe of Somerset, made such a beautiful kitchen!
Lillian Delevoryas
Lillian Delevoryas is a wise and wonderful octogenarian artist and just happens to be our neighbour. In exchange for some photography, she offered us one of her paintings. So hard to choose when she has such a prolific output, much of which lines the walls of her flat. There are nudes in various poses, works of religious iconography influenced by her Greek Orthodox faith, vivid interiors and wildly colourful flower paintings one of which we finally ended up selecting. It’s called Hypnos and depicts passion flowers in a pot that was made by Lydia Corbett once a famous ponytailed muse of Picasso and now an artist who Lillian has exhibited with. Surrounded by various pieces of Poole pottery, some dead birds and my favourite Eric Leaper horse which admittedly has a vague My Little Pony feel (!), the painting seems to have settled in nicely. You can see more of Lillian’s work here.
Vintage Ideal Home
I find myself drawn to old magazines particularly interiors’ mags – no surprise there given my job. I pick them up in charity shops or on Ebay if I’ve a few idle moments. Those from the 50s and early 60s are fascinating and I’m always staggered at the amount of black and white features – we’re so used to seeing interior photography in glorious colour. Later ones especially those from the 70s have more resonance as that was when I was brought up – features on how to fill a chest freezer or where best to install a Finnish sauna take me back. The covers – always so important for sales – are especially evocative and I do feel that in many ways things have moved on for the better in some cases! These old Ideal Home magazines are so different photographically too… Check these out and see if you agree…
March 2013 magazine coverage
Great start to the year for interior photography with some lovely pieces being published… Homes and Gardens have just done two of my features, both houses shot in London towards the end of last year… The cover image is part of a feature we did about Lord David Herbert’s house… a lovely townhouse owned by the proprietor of David Seyfried Furniture, who make beautiful upholstered furniture and are based at Chelsea Design Centre…. and the bottom row of images are part of a second feature about a house in North London owned by Mette Hardie… lovely use of Crittall windows….
Both of the above houses were quite different from another recently published piece, all about the wonderful Silvana De Soisson’s house in Wiltshire, covered for Country Living magazine. We spent a great day there, while Silvana cooked lovely Pistachio biscuits and made us coffee… The house is cluttered and eccentric, and I’m sure you’ll agree, a picture-perfect home, cosy and inviting…. Silvana is the brains behind the ‘Foodie Bugle‘, an online food magazine thats fast becoming a ‘must read’ for those who know their pistachios….
As you can see, all three houses involved different ways of working…. interior photography can involve lots of styling… taking ‘stuff’ out or adding carefully chosen bits to other shots. A good interior stylist is worth his (actually, more often than not ‘her’!) weight in gold…. In the case of both the Homes and Gardens shoots, Alice Ridley did the honours, whilst Country Living’s own Caroline Reeves styled Silvana’s house…In Awkward Reverence..
I photographed a number of churches a couple of years ago, and was on the verge of actually embarking on a book about the interiors, before the publishers pulled out (something about a recession I think…)… I find the atmosphere and mood in these old Parish Churches wonderful and would love to finish the project… until then, here are a few of the many I did, with a poem by my favourite ‘english’ poet, Philip Larkin… Church Going…
Church Going by Philip Larkin
Once I am sure there's nothing going on I step inside, letting the door thud shut. Another church: matting, seats, and stone, And little books; sprawlings of flowers, cut For Sunday, brownish now; some brass and stuff Up at the holy end; the small neat organ; And a tense, musty, unignorable silence, Brewed God knows how long. Hatless, I take off My cycle-clips in awkward reverence. Move forward, run my hand around the font. From where I stand, the roof looks almost new - Cleaned, or restored? Someone would know: I don't. Mounting the lectern, I peruse a few Hectoring large-scale verses, and pronounce 'Here endeth' much more loudly than I'd meant. The echoes snigger briefly. Back at the door I sign the book, donate an Irish sixpence, Reflect the place was not worth stopping for. Yet stop I did: in fact I often do, And always end much at a loss like this, Wondering what to look for; wondering, too, When churches will fall completely out of use What we shall turn them into, if we shall keep A few cathedrals chronically on show, Their parchment, plate and pyx in locked cases, And let the rest rent-free to rain and sheep. Shall we avoid them as unlucky places? Or, after dark, will dubious women come To make their children touch a particular stone; Pick simples for a cancer; or on some Advised night see walking a dead one? Power of some sort will go on In games, in riddles, seemingly at random; But superstition, like belief, must die, And what remains when disbelief has gone? Grass, weedy pavement, brambles, buttress, sky, A shape less recognisable each week, A purpose more obscure. I wonder who Will be the last, the very last, to seek This place for what it was; one of the crew That tap and jot and know what rood-lofts were? Some ruin-bibber, randy for antique, Or Christmas-addict, counting on a whiff Of gown-and-bands and organ-pipes and myrrh? Or will he be my representative, Bored, uninformed, knowing the ghostly silt Dispersed, yet tending to this cross of ground Through suburb scrub because it held unspilt So long and equably what since is found Only in separation - marriage, and birth, And death, and thoughts of these - for which was built This special shell? For, though I've no idea What this accoutred frowsty barn is worth, It pleases me to stand in silence here; A serious house on serious earth it is, In whose blent air all our compulsions meet, Are recognized, and robed as destinies. And that much never can be obsolete, Since someone will forever be surprising A hunger in himself to be more serious, And gravitating with it to this ground, Which, he once heard, was proper to grow wise in, If only that so many dead lie round.
Go Slow Italy
A couple of years back I was lucky enough to be asked to help shoot the food and lifestyle images for a book about places to stay that were in tune with the Slow movement which originated in Italy. It was commissioned by Alastair Sawday’s, a small travel publishing and media company based near Bristol as part of their Go Slow series. I took off for Italy, travelling mainly by train from Lombardy to Sicily and stopping off at some stunning places along the way whose owners had chosen to opt for a less frenetic way of life – growing their own fruit and vegetables, producing olive oil and wine from their land and respecting the seasons. The book is available here on their web site…
The Tasty Ski Company
Tim Maitland is the young owner of a small catered ski chalet company, called The Tasty Ski Company, with places in Morzine and Grand Massif in the French Alps. His idea is to provide luxury accommodation with top quality catering in the heart of the ski country he knows so well. In his own words, “Food is what makes us tick. Our team has a wealth of experience throughout the catering industry, from 3 Michelin Star restaurants to luxury alpine chalet companies. Catering is what we love and what we do best”. Tim asked me to provide new photography for the updated website, and for two days we have been shooting interiors, exteriors, food and ‘lifestyle’. Here is a small selection of what we achieved with the food…
Food Photography in this sort of situation is a balancing act. We were not in a studio, Tim was cooking, and we only had a dining room table on which to photograph the finished results. We had limited time, and were restricted to using available light. So, using the existing ‘props’ (plates, cutlery etc) and a bit of sunlight we managed to photograph a surprising number of expertly created dishes. It helps that Tim has worked with Heston Blumenthal (note the Butternut Squash ‘Foam’ above!)…
Hotel Photography in Tuscany, Italy
I Shoot Horses Don’t I?
I’ve just returned from a few days hotel photography at ‘Il Borro‘, near Arezzo in Tuscany owned by the Ferragamo family – designers of very beautiful footwear and bags worn by proper Hollywood royalty over the years – Marilyn, Audrey and Angelina amongst others. The estate is vast with its own medieval ‘borgo’ where we stayed, a spa, stables and huge winery. They’ve managed to pull off the trick of respecting their traditional Tuscan roots while introducing super slick, up-to-the-minute design elements particularly around the spa with its infinity pool and Vincafé. I spent my time racing around photographing interiors, charming staff, atmospheric vistas and even the horses!
The next day we drove into Chianti where classic Tuscan views of ancient hilltop estates flanked by cypress trees and surrounded by dusty olive groves forced me to leap out of the car, camera in hand around virtually every bend. Volpaia is a tiny village which sits high above Radda in Chianti where the restaurant La Bottega and bar are both owned by the same friendly family – there can’t be too many better places in the world to have lunch.
All this bucolic bliss can get a bit much so it was time to head into the hubbub of Florence – 92 degrees, many shops and restaurants closed for holidays, swarms of tourists (like me), coffees at 5 euros – but still utterly amazing. Best bits were midnight photography of Palazzo Vecchio and Piazza della Signoria and an early morning trip to the food market at Sant’ Ambrogio to stock up on pecorino and tasty tomatoes.
Hotel Photography in Italy is a tough job, but someone has to do it…. so, if you have a hotel, Bed and Breakfast, Spa or restaurant , and you need some marketing images, please do get in touch…. I’m photographing a ‘Gourmet’ ski chalet in the French Alps next month, and back to do more at the slightly bonkers Hoar Cross Hall in Staffordshire after that… come on, catch me while you can…





















